Kiri Te Kanawa: Chi Il Bel Sogno Di Doretta

Title: Kiri Te Kanawa: Chi Il Bel Sogno Di Doretta

Channel: Hamish James

Duration: 202

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The particular aria is from Puccini's La Rondine.
Beautifully performed by Kiri Te Kanawa.

http://www.youtube.com/watch?v=aRlbOF...
That is the URL to Puccini: La Rondine Part 1/3
Also on my Channel [hamishjames1998]

A Short Overview of the Opera:
In autumn 1913, the directors of Vienna's Carltheater commissioned Puccini to compose a Viennese operetta. After confirming that it could take the form of a comic opera with no spoken dialogue in the style of Rosenkavalier, "only more entertaining and more organic," he agreed. For two years the work proceeded, sometimes intensely, sometimes with great difficulty, and in spring 1916 the opera was finished. The originally intended Viennese première was impeded by the outbreak of the World War I and the entrance of Italy in the Alliance against Austria-Hungary, hence the Opéra de Monte-Carlo was chosen to present it, with Gilda Dalla Rizza and Tito Schipa in the leading roles.
In Italy, Puccini offered the work to his editor Tito Ricordi who declined to buy it, thus Ricordi's rival, Lorenzo Sonzogno, obtained the right to give the first performance outside Austria and moved the première to neutral Monégasque territory. At the première in Monte-Carlo in 1917 the initial reception by the public and press was warm. However, despite the artistic value of the score La rondine has been one of Puccini's less successful works; "In box office terms, was the poor cousin to the other great hits."There is no established final version of it, Puccini being dissatisfied, as often, with the result of his work; he revised it many times to the point of making three versions (1917, 1920, 1921), with two completely different endings, but died before clearly deciding on a final version. The second version was premiered at Teatro Massimo, Palermo in 1920, whereas the third was not heard until 1994 in Turin. Moreover, a fire at Casa Sonzogno archives caused by Allied bombing during the war destroyed parts of the score which had to be restored based on the surviving vocal-piano arrangements. The orchestration of the third version was finally completed in authentic Puccinian style by Italian composer Lorenzo Ferrero at the request of Teatro Regio di Torino and subsequently performed there on 22 March, 1994.